The development of fast, light boats for the sport of rowing follows a parallel path with the history of capitalism, with, for example the development of faster and faster sailing clippers to beat the opposition to the market. As Virillio said “The invention of the ship was also the invention of the shipwreck”.
In this talk we will cover the development path of the Open Hardware Pocket Science Lab (PSLab) board from version one in 2014 to today and outline how we use tools like KiCad to bring the device to large scale production. We will also share some major issues that we solved to get the device manufacturing ready and challenges that lie ahead of us like ensuring thorough device testing at production.
Complex problems have required new information management paradigms, because electronic computing has shown certain limits. In this presentation we will talk about Jaime Lobato’s non-conventional computation projects and their application in contemporary art (bacteria and chemical computers)
The acanthus is a millenary ornament, which can help us reflect upon ideas structuring contemporary society. Starting in Ancient Greece, the acanthus became the single ornament expanding over the widest geographic area and through the longest time span in human history.
Live Coding is a technique of audiovisual improvisation/composition in real time where programming languages are used to produce the performance and also the process is open and shared with the public, in such a way that the production tool is aesthetically absorbed by the content of the live act.
This is a workshop on how to use Aframe, a web framework for building 3D/AR/VR experiences.
We’re going to cover the basics of HTML and the Entity-Component Model.
As well as creating our models using Magica Voxel.
Peru. Sounds produced by the interaction of various prototypes of autonomous construction, technological appropriation, recycling, free culture and auditory experimentation, and the MilaSalda’s graphics.
tsch! is the new live coding project of Jaime Lobato where glitch deconstructs rhythm through audiovisual strategies.
Ecuador. Artist who explores the sounds that emerge from experimentation with various electronic media, from the construction of analog and digital interfaces. His projects articulate the relationship between sound, territory and technology, speculating on possible futures, based on the place we have as human beings in this era. He is the producer of the cyclical show Permutación Sonora in Guayaquil and the ambient project Damballah.
Niño Salvaje is an audiovisual work for live coding that explores language, transmedia connections and hacktivism.For this, the project is built from the poetics of the text “Niño Salvaje”, by the Argentinian psychologist and musician Alberto Kuselman. This fragment, part of Andes music therapy and popularized as a children’s song in South America, is taken up from cyberactivism in the Hack-Back manifesto; An D.I.Y guide to robbing banks.
